Francesco Solimena, 1720 - Zmartwychwstanie - druk artystyczny

Szczegółowe informacje o produktach artystycznych

To klasyczne dzieło sztuki o nazwie Zmartwychwstanie namalował barokowy mistrz Franciszek Solimena in 1720. Dzieło sztuki miało wymiary: 145,5 cm x 77. Olej na płótnie was applied by the artist as the medium of the painting. Moveover, this artwork belongs to the Belwederski digital art collection. The artpiece, which is part of the public domain is being included with courtesy of © Belvedere, Wiedeń, nr inwentarzowy: 6159. The creditline of the artwork is the following: legat Oskar Strakosch, Vienna in 1976. The alignment of the digital reproduction is in portrait format and has a ratio of 1 : 2, meaning that the length is 50% shorter than the width. Francesco Solimena was a architect, painter from Italy, whose art style can be attributed mainly to Baroque. The artist was born in the year 1657 in Italy, Europe and died at the age of 90 w 1747 w Barra, Neapol, prowincja Neapol, Kampania, Włochy, Rione.

Jaki rodzaj materiałów do druku artystycznego wolisz?

In the product dropdown menu you can pick your individual size and material. That is why, we allow you to choose among the following options:

• Plakat (materiał płócienny): The poster print is a UV printed canvas paper with a granular surface texture. The poster print is optimally qualified for framing your art copy in a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of approximately 2-6 cm around the print, which facilitates the framing with a custom frame.
• Druk na błyszczącym szkle akrylowym: An print on acrylic glass, often described as a UV print on plexiglass, changes the original work of art into brilliant décor.
• Nadruk z dibondu aluminiowego: This is a metal print made on aluminium dibond material with an impressive effect of depth. Its non-reflective surface creates a fashionable look. The Aluminium Dibond Print is your ideal start to art reproductions on aluminum. The white & bright parts of the work of art shine with a silky gloss, however without the glow. The UV print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to display fine art prints, as it puts 100% of the viewer’s attention on the replica of the artwork.
• Druk na płótnie: A canvas print is a printed canvas mounted on a wooden stretcher. Hanging a canvas print: Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without any wall-mounts. Canvas prints are suited for any type of wall.

Zrzeczenie się: We try our best in order to describe the products as closely as possible and to illustrate them visually in our shop. Nonetheless, the pigments of the print materials and the imprint might differ marginally from the representation on your device's monitor. Depending on your screen settings and the condition of the surface, not all color pigments will be printed one hundret percent realistically. Since all the art prints are printed and processed manually, there might as well be minor discrepancies in the exact position and the size of the motif.

Tabela pozycji

Stolik artystyczny

Przegląd artystów

© Copyright - Artprinta.com

Opis z Belwederu (© Copyright - Belvedere - Belweder)

About mediation of the Neapolitan viceroy Wirich Philipp Graf Daun commissioned Prinz Eugen by the year 1720 Francesco Solimena with the altarpiece for the chapel of the Upper Belvedere. Although the artist already in 1721 sent a drawing for the execution still dragged on for several years. The previous According to opinion the painting is probably arrived in Vienna until the 1,731th For stylistic reasons, however, it can be assumed that the delivery has already taken place from 1720 to 1725. The Modello to the once was in the chapel of the castle in Ladendorf, Count Daun should be retained or have been given by the prince. Despite the smaller size, the detail design formulated in its clear composition and his dramatic chiaroscuro an enormous inner monumentality. [Georg Lechner, 3/2010]