Jean Hey, 1490 - Margaret of Austria - druk artystyczny

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To zdjęcie 15th wieku artwork "Margaret of Austria" was painted by the zły artysta Jean Hej in 1490. Oryginalna wersja dzieła sztuki ma wymiary: 12 7/8 x 9 1/8 cala (32,7 x 23 cm) i został wykonany z technika olej na dębowym panelu. Dzieło należy do cyfrowej kolekcji sztuki Miejskie Muzeum Sztuki, które jest jednym z największych i najlepszych muzeów sztuki na świecie, w którym znajduje się ponad dwa miliony dzieł sztuki obejmujących pięć tysięcy lat kultury światowej, od prehistorii do współczesności i ze wszystkich części globu. Dzięki uprzejmości: Metropolitan Museum of Art, Nowy Jork, kolekcja Roberta Lehmana, 1975 (domena publiczna). : Kolekcja Roberta Lehmana, 1975. Ponadto wyrównanie reprodukcji cyfrowej jest w toku portret format i ma współczynnik obrazu 1: 1.4, co oznacza, że długość jest o 29% krótsza od szerokości. Jean Hey was a male illuminator, painter of French nationality, whose art style was mainly Northern Renaissance. The French artist lived for a total of 24 roku - urodzony w 1475 i zmarł w 1499 r.

Specyfikacje dzieł sztuki na stronie internetowej muzeum (© - Metropolitan Museum of Art - www.metmuseum.org)

The daughter of Emperor Maximilian I, Margaret of Austria was betrothed at the age of three to the infant dauphin Charles, the future Charles VIII, and served briefly as "queen of France" from 1483 to 1491. She is shown here around the age of ten, one year before she was repudiated by her intended husband. The initials C and M within the border of Margaret's collar (backwards C in the left border) probably signify their union. The chain of gold shells on her headdress may be part of the armorial insignia of the Bourbon dynasty with which she was then associated. The elaborate pendant of a pelican piercing its breast to draw blood with which to feed its young (the blood represented by the large hanging ruby), a symbol of Christian charity, alludes to the sitter's piety. These elements are mounted on a gold fleur-de-lis. Demonstrably showing her faith, Margaret holds a large gold filagree Paternoster bead of her rosary and looks to the right, presumably toward (what was originally) the object of her devotion. This panel likely formed the left of a diptych, whose right wing, now lost, may have represented a subject from Christ's Passion.

Szczegóły dotyczące dzieła sztuki

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