Mistrz Historii Friderici et Maximiliani, 1510 - Narodzenia - druk artystyczny

This classic art work of art was made by the painter Mistrz historii Friderici et Maximiliani w roku 1510. Dzieło sztuki miało wymiary: 44 5/8 × 29 3/16 in (111,4 × 74,1 cm) Painted surface: 43 5/8 × 28 5/16 in (110,8 × 73,5 cm). Olej na desce was applied by the Austrian artist as the medium of the work of art. Furthermore, the piece of art is included in the digital collection of Instytut Sztuki w Chicago. Ta grafika, która należy do domena publiczna jest dostarczany dzięki uprzejmości Instytut Sztuki w Chicago. Poza tym grafika ma linię kredytową: Fundusz Wilsona L. Meada. The alignment is in portrait format with a ratio of 2: 3, co oznacza, że ​​długość jest o 33% krótsza od szerokości.

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• Wydruk na szkle akrylowym (z powłoką z prawdziwego szkła): An acrylic glass print, often referenced as a UV print on plexiglass, will convert an original artwork into beautiful home decoration. In addition, it offers a distinct alternative option to canvas or aluminium dibond prints. The work of art will be custom-made with the help of modern UV direct print machines. The great benefit of an acrylic glass print is that contrasts as well as smaller artwork details become identifiable due to the subtle tonal gradation. Our plexiglass with real glass coating protects your chosen art replica against sunlight and external influences for up to six decades.
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Ogólny opis z muzeum (© Copyright — Art Institute Chicago — Instytut Sztuki w Chicago)

Once thought to be by the young Albrecht Altdorfer, this painting is instead the work of a painter named after a winged altarpiece in the town of Pulkau, near the Austrian and Moravian border. Though the artist takes his name from the Pulkau altarpiece, he was probably active in Vienna. Like other loosely associated South German and Austrian artists of the early 16th century, who are now grouped together as the Danube School, the Master of Pulkau used exuberant natural forms to give a heightened emotional quality to his work. In this altarpiece wing, the swirling vegetation, excited angels, and oversized Virgin and animals direct the viewer’s attention to the vulnerable Christ Child, who is the focus of adoration.