Peter Paul Rubens, 1606 - Marchesa Brigida Spinola Doria - druk artystyczny

Ogólny opis z Narodowej Galerii Sztuki (© - Narodowa Galeria Sztuki - www.nga.gov)

Technika: olej na płótnie

Dimensions: Canvas: 152.5 x 99 cm (60 1/16 x 39 in.) Framed: 188 x 134.6 x 10.8 cm (74 x 53 x 4 1/4 in.)

Peter Paul Rubens lived and studied in Italy between 1600 and 1609, absorbing the country's cultural riches and artistic heritage. During a stay in Genoa in 1606, he painted the portrait of Marchesa Brigida Spinola Doria. The 22-year-old newlywed was from one of the republic's leading noble families. The imposing setting and the marchesa's aristocratic appearance leave little doubt that she was a person of wealth and status. Rubens integrated light and color, as well as the marchesa's pose and the dynamic diagonals of the architecture, to enliven her stately image. Light flooding into the scene creates boldly expressive folds in her heavy satin dress, while the red of the drape adds dramatic emphasis. The direction of her gaze and the perspective of the architecture indicate that the painting was meant to be hung high on a wall—well above the viewer.

A drawing in the Morgan Library & Museum in New York City reveals that the picture was originally even grander: Rubens executed a full-length portrait, with the marchesa standing on a terrace with a view into the distant landscape at the left, but unfortunately, at some point during the 19th century, the canvas was cut down to its present format.

The marchesa's young face, animated by her large, keen brown eyes and gentle smile, is set off by her enormous yet elegant ruff. Her commanding presence is further accentuated by the glowing satin, the lace of her gown, her jewels, and the elaborate hair ornament crowning her carefully curled locks. Behind her, the rich luster of the marble and stone of a palazzo add to the sense of limitless luxury. The Spinola family, major art patrons in Genoa, derived their affluence from mercantile and banking enterprises. It was the norm for families to consolidate their wealth through intermarriage, and Brigida Spinola married her cousin Giacomo Massimiliano Doria in 1605. Widowed in 1613, she later married the widower Giovanni Vincenzo Imperiale, a senator of the Genoese republic who was also devoted to poetry and art collecting. The marchesa's self-possession also may have been engendered by the unusual—for that era—legal rights and civic role that Genoa's constitution granted its women. The future Pope Pius II, while still a youthful secretary to a Cardinal, commented that Genoa was a "paradise for women."

Rubens visited Genoa, a wealthy financial and mercantile center, at least twice and clearly admired the city and its people. Their active lifestyles as bankers, merchants, ship owners, and military leaders would have reminded him of Antwerp, the economic and cultural center of the Southern Netherlands. By the time he made this portrait, Rubens had been in Italy six years. Trained in classical ideals and philosophy, he had travelled from Antwerp to Italy around 1600 to experience firsthand its artistic traditions, not only those coming from antiquity and the Renaissance, including the work of Raphael and Michelangelo, but also those being created by contemporary artists such as Caravaggio. The inspiration he gained from this multifaceted exposure profoundly affected his own style of painting and became the foundation for his future work.

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Zdobądź preferowany materiał do druku artystycznego

Dla każdego druku artystycznego oferujemy szereg różnych materiałów i rozmiarów. Następujące rozmiary i materiały to opcje, które oferujemy w celu indywidualizacji:

• Obraz na szkle akrylowym (z powłoką z prawdziwego szkła): An print on acrylic glass, which is often named as a fine art print on plexiglass, will change an original work of art into amazing décor. The work of art will be custom-made with state-of-the-art UV direct printing technology.
• Wydruk plakatu (materiał płócienny): The poster print is a UV printed flat canvas with a slight finish on the surface, that reminds the original masterpiece. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the painting, which facilitates the framing.
• Brezentowy: A canvas direct print is a printed cotton canvas stretched on a wood stretcher. A printed canvas of your favorite masterpiece will allow you to transform your own into a large size collection piece. Hanging your canvas print: Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the help of extra wall-mounts. Canvas prints are suitable for any kind of wall.
• Dibond aluminium: These are metal prints on aluminium dibond with an impressive effect of depth, which creates a modern impression by having a surface structure, which is not reflective. The Aluminium Dibond Print is the best introduction to the sophisticated world of art prints made with aluminum. For our Direct Print On Aluminum Dibond, we print the favorite artwork right onto the surface of the aluminum material.

Podsumowanie produktu artystycznego

In 1606 holenderski artysta Peter Paul Rubens utworzył sztuka klasyczna piece of art. The original version measures the size: 152,5 x 99 cm (60 1/16 x 39 cali). Olej na płótnie was applied by the European painter as the medium of the painting. Moveover, this artwork belongs to the Narodowa Galeria Sztuki art collection in Washington D.C., United States of America. The classic art domena publiczna arcydzieło jest udostępniane dzięki uprzejmości National Gallery of Art, Waszyngton.: . Wyrównanie jest portret ze stosunkiem boku 2: 3, meaning that the length is 33% shorter than the width. The diplomat, painter Peter Paul Rubens was an artist, whose style can be attributed mainly to Baroque. The Dutch artist lived for a total of 63 years and was born in the year 1577 in Siegen, North Rhine-Westphalia, Germany and deceased in the year 1640 in Antwerp, Antwerpen province, Flanders, Belgium.

Nota prawna: We try to describe our products as accurate as possible and to exhibit them visually. Still, the tone of the printing material and the printing may differ to a certain extent from the image on the screen. Depending on your screen settings and the nature of the surface, color pigments can unfortunately not be printed as exactly as the digital version. Bearing in mind that our art prints are printed and processed by hand, there may also be minor variations in the motif's size and exact position.

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