Nicolas de Largillierre, 1702 - Portret dwóch leżących w 1702: Hugues Desnotz, po prawej i nieznany, zakładany Boutet, po lewej (fragment) - druk artystyczny

Dodatkowe informacje z muzeum (© - Musée Carnavalet Paris - www.carnavalet.paris.fr)

Desnotz Hughes, right, and an unknown, supposed Boutet left. half-length portrait in red coat and black members of the Paris municipality.

The portrait of two aldermen based in 1702, is a fragment of collective portrait of the Office of the City which included the provost Boucher d'Orsay, the four aldermen Santeul, Guillebon, Boutet and Desnotz, the Public Prosecutor, the Registrar and recipient, accompanied by Justice and Abundance. In the background included a tapestry depicting the arrival of the Duke of Anjou to the Spanish crown with allegories appropriate to the subject.

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Rozwijane menu produktów umożliwia wybranie ulubionego rozmiaru i materiału. Umożliwiamy Państwu wybór pomiędzy następującymi wariantami:

• Druk na płótnie: The canvas print, not to be mistaken with a real artwork painted on a canvas, is an image printed on an industrial printer. Furthermore, a canvas print creates a homelike and comfortable look. How do I hang a canvas print on the wall? Canvas Prints have the advantage of being relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without additional wall-mounts. Canvas prints are suitable for any type of wall.
• Drukowany plakat (materiał płócienny): The poster print is a printed canvas with a slightly rough surface finish, that resembles the actual masterpiece. The poster is used for placing the art print with the help of a special frame. Please keep in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2 - 6cm around the work of art, which facilitates the framing with your custom frame.
• Dibond aluminiowy (druk metalowy): This is a metal print manufactured on aluminium dibond material with an impressive depth. The non-reflective surface make a fashionable impression. A direct Aluminium Dibond Print is the ideal introduction to fine reproductions made on aluminum. For your Direct Aluminium Dibond print, we print your favorite work of art right on the aluminium white-primed surface. The bright parts of the original artwork shine with a silk gloss, however without the glow. The colors of the print are luminous in the highest definition, details of the print appear clear and crisp. The direct UV print on aluminium is one of the most popular entry-level products and is a modern way to showcase fine art prints, since it puts the viewer’s attention on the artwork.
• Nadruk na szkle akrylowym: A glossy print on acrylic glass, which is often named as a UV print on plexiglass, changes the original into wonderful wall decoration. Your own version of the work of art will be custom-made with the help of modern UV printing machines. The effect of this are deep and vivid colors.

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To więcej niż 310 years old artpiece was made by the baroque master Nicolas de Largillierre in 1702. Oryginał miał rozmiar: Wysokość: 119,5 cm, Szerokość: 152,5 cm. Poza tym to dzieło należy do cyfrowej kolekcji Musée Carnavalet w Paryżu, which is a museum dedicated to the history of the city Paris. We are happy to mention that the domena publiczna Artpiece jest dołączony dzięki uprzejmości Musée Carnavalet w Paryżu.Dodatkowo grafika posiada linię kredytową: . Co więcej, wyrównanie jest krajobraz i ma stosunek boku 1.2: 1, co oznacza, że długość jest o 20% dłuższa niż szerokość. The painter Nicolas de Largillierre was an artist from France, whose style can be classified as Baroque. The Baroque painter was born in the year 1656 i zmarł w wieku 90 lat w 1746 r.

Ważna informacja: We try all that we can in order to describe the art products as accurately as possible and to showcase them visually in our shop. Please keep in mind that the tone of the printed materials, as well as the printing might differ somehwat from the representation on the device's monitor. Depending on the screen settings and the quality of the surface, not all colors are printed one hundret percent realistically. Given that all our art reproductions are processed and printed manually, there might also be minor discrepancies in the motif's size and exact position.

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