Hans Makart, 1867 - Portret Eugenie Scheuffelen - druk artystyczny

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Koniec 150 years old piece of art was painted by Hans Makart, 150 roczna wersja dzieła sztuki mierzy rozmiar - 158 x 113 cm - rama: 233 x 179 x 20 cm wymiary pudełka: 259 x 228,5 x 31 cm and was made with the medium oil on canvas. The painting has the following text as inscrption: "designation bottom left: Hans Makart". The work of art is included in the collection of Belweder, which is one of Europe's most famous museums with three locations that blends the experience of architecture and art in a unique way. This public domain work of art is being supplied with courtesy of © Belvedere, Wiedeń, nr inwentarzowy: 2363. Linia kredytowa dzieła sztuki: purchase from Michael Szamek, Vienna in 1922. Ponadto wyrównanie jest w pionie format ze współczynnikiem proporcji 1: 1.4, Co oznacza, że długość jest o 29% krótsza od szerokości. The painter Hans Makart was a European artist, whose art style was primarily Historicism. The European painter lived for a total of 44 roku i urodził się w 1840 w Salzburgu, Salzburg, Austria i zmarł w 1884 r.

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• Nadruk metalowy (dibond aluminiowy): These are metal prints on aluminium dibond material with a true depth effect, which creates a fashionable impression with a non-reflective surface structure. A direct Aluminium Dibond Print is the best introduction to art reproductions on aluminum.
• Wydruk plakatu (materiał płócienny): Our poster print is a printed sheet of canvas paper with a fine finish on the surface. Please bear in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm round about the work of art to facilitate the framing with your custom frame.
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• Druk na błyszczącym szkle akrylowym (z powłoką z prawdziwego szkła): A glossy acrylic glass print, often described as a UV print on plexiglass, transforms an original into lovely home decoration.

Zastrzeżenia prawne: We try our utmost to describe our art products in as much detail as possible and to illustrate them visually. Please keep in mind that the colors of the printed materials, as well as the imprint might diverge to a certain extent from the representation on your monitor. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed one hundret percent realistically. Bearing in mind that all art reproductions are processed and printed manually, there might as well be slight differences in the motif's exact position and the size.

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Oryginalne informacje o dziele sztuki z Belwederu (© - Belvedere - Belweder)

See perhaps some version in Kaiserslautern. Previously created. [See. Frodl, Makart, 2013, cat. No. 103] From Eugenie Scheuffelen there is a marble bust of Adolf von Hildebrand, the written in 1878. "The beautiful daughter of Friedrich Bruckmann, Eugenie (d. 1919), was considering a serious financial crisis of Bruckmann's publishing company with the very wealthy mill-heirs Alfred Schäuffelen, Irene Hildebrand's brother married. Ignaz von Dollinger, the Eugenie later persuaded her Hildebrand sitting at a bust, trust the couple and left him a close family friend in Munich Eugenie was popular not only for their beauty and mental agility because -. Lenbach painted them multiple, but belonged to her salon and her capricious artist festivals in the sensational events of this city around the turn of the century. in the fall of 1878, the couple Schäuffelen at Hildebrand during this time modeled Hildebrand held in Florence on. the bust of Eugenie, at the same time he painted a life-size profile of her (Irene coupling of Auguste Schäuffelen, October 16, 1878, archive) . "[from: Angela Hass, Adolf von Hildebrandt, The plastis che Portrait, Munich 1984, p. 26, No. 27]