Lorenzo Lotto, 1533 - Madonna z Dzieciątkiem i Dwoma Darczyńcami - druk artystyczny

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Ten obraz został namalowany przez malarza-mężczyznę Lorenza Lotto. This work of art is in the the The J. Paul Getty Museum's digital art collection. With courtesy of - The J. Paul Getty Museum (licencjonowany - domena publiczna).Furthermore, the work of art has the creditline: . The alignment is landscape with a ratio of 4 : 3, which implies that długość jest o 33% dłuższa niż szerokość. Lorenzo Lotto was a male painter from Italy, whose art style can mainly be classified as High Renaissance. The Italian artist lived for 81 roku, urodzony w 1475 in Venice, Venezia province, Veneto, Italy and deceased in the year 1556 in Loreto, Ancona province, Marches, Italy.

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• Druk na płótnie: A canvas direct print is a printed canvas mounted on a wood stretcher. Also, a canvas print makes a attractive and pleasing impression. A canvas print has the advantage of being relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Therefore, canvas prints are suited for all kinds of walls.
• Druk plakatu (materiał płócienny): Połączenia Artprinta poster is a printed canvas with a slightly roughened surface texture. It is designed for framing the art copy with the help of a custom-made frame. Please note, that depending on the size of the poster we add a white margin of something between 2-6cm round about the painting in order to facilitate the framing with your custom frame.
• Nadruk dibond aluminiowy (metal): Aluminium Dibond prints are prints on metal with a true effect of depth. A direct Direct Print on Aluminum Dibond is your ideal start to the sophisticated world of reproductions with aluminum.
• Drukowane szkło akrylowe: A glossy acrylic glass print, which is often described as a plexiglass print, changes your selected original work of art into wonderful wall décor. In addition, it makes a distinct alternative to dibond and canvas fine art prints. Your own version of the work of art will be printed with the help of modern UV direct print machines. This has the impression of sharp and vivid colors. Our real glass coating protects your custom art replica against light and external influences for between 4 and six decades.

Zrzeczenie się: We do whatever we can in order to describe the products as exact as possible and to showcase them visually. Please bear in mind that some pigments of the printing material and the print result might vary somehwat from the image on the device's screen. Depending on your settings of your screen and the condition of the surface, not all colors can be printed 100% realistically. Considering that the fine art prints are processed and printed manually, there may as well be minor deviations in the motif's exact position and the size.

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(© Copyright — The J. Paul Getty Museum — Muzeum J. Paula Getty'ego)

Framed by richly draped fabric, the Virgin Mary tenderly sits Christ on her lap. The couple who commissioned the panel look up at the child, meeting his eyes as he rewards their piety with a blessing. As the symbol of Christ's resurrection, the fig branch growing behind the curtain also reassures the donors of their own redemption.

In the late 1400s, well-to-do families often commissioned such pictures for hanging in the home or the private chapel of a church. These panels served both as portraits and as testimonies to the donors' religious devotion.

Lorenzo Lotto emphasized the contrast between the earthly and the spiritual realms by using a highly naturalistic style for the couple and a more ideal, poetic rendering for the Virgin and child. With a flair for color betraying his Venetian origins, Lotto contrasted Mary's luminous blues and reds with the donors' more somber clothing.