Johan Thomas Lundbye, 1846 - Kolås Wood. Vejrhøj - druk artystyczny

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Kolås Wood. Vejrhøj to dzieło sztuki stworzone przez romantyka duński artist Johan Thomas Lundbye. The work of art is part of the Statens Museum for Kunst (Galeria Narodowa Danii). kolekcja cyfrowa. Dzięki uprzejmości: Galeria Narodowa Danii (licencja - domena publiczna).Linia kredytowa dzieła sztuki: . Ponadto wyrównanie reprodukcji cyfrowej jest w toku krajobraz format ze współczynnikiem proporcji 4: 3, co oznacza, że długość jest o 33% dłuższa niż szerokość. Johan Thomas Lundbye was a painter, whose style can be classified as Romanticism. The Romanticist painter lived for a total of 30 roku - born in 1818 in Kalundborg, Sj?lland, Denmark and died in the year 1848.

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Ogólne informacje ze strony internetowej muzeum (© - autorstwa Statens Museum for Kunst (Galeria Narodowa Danii) - Statens Museum for Kunst (Galeria Narodowa Danii))

”I do not find lonely places in nature sad, but am drawn to the grandeur and calm of such sites”, said J.Th. Lundbye in his diary in 1844.

Lundbye was a votary of isolation as something conducive to the study’s union of the love of nature and the artistic spirit.

In this case the signature tells us that the study was created on Vejrhøj, a landmark within the artist’s autobiographical landscape: His grandparents lived in the nearby town of Kalundborg, where he himself was born, and the place became a recurring motif in his pictures.

The study testifies to the close relationship between art and artist, for the painter very emphatically left evidence of his work in the picture, e.g. in the luminous tree trunks that have been outlined with traces of thick, glossy paint.

In Lundbye’s work, withdrawal into a state that emphasised the individual and self-elected loneliness was partly prompted by the philosopher Søren Kierkegaard (1813-1855), whose writings had begun to have considerable impact on his mindset around the time this study was created. Kierkegaard evinced a similar interested in a radically individual state of perception, and as far back as 1843 Lundbye became familiar with Kierkegaard’s Either/Or, which was published under the pseudonym Victor Eremita (the Victorious Hermit).