Philips Koninck, 1654 - Holenderski krajobraz panoramiczny z rzeką - druk artystyczny

The 17th century masterpiece titled "Dutch Panorama Landscape with a River" was made by the zły artist Philips Koninck. This artpiece belongs to the Statens Museum for Kunst (Galeria Narodowa Danii). kolekcja sztuki, która znajduje się w Kopenhaga, Dania. Dzięki uprzejmości Galeria Narodowa Danii (domena publiczna).: . Do tego dochodzi wyrównanie krajobraz ze współczynnikiem proporcji 4: 3, co implikuje długość jest o 33% dłuższa niż szerokość. The painter Philips Koninck was a European artist, whose art style was mainly Baroque. The Dutch artist was born in 1619 and died at the age of 69 in the year 1688.

What does the curator team of the Statens Museum for Kunst (National Gallery of Denmark) write about this 17th century work of art from the painter Philips Koninck? (© Copyright - by Statens Museum for Kunst (National Gallery of Denmark) - Statens Museum for Kunst (Galeria Narodowa Danii))

Philips Koninck is best known for his panoramic landscapes, but he also painted everyday scenes, religious scenes, and portraits.

Like so many other Dutch 17th century artists he had to supplement his earnings with other jobs and sources of income; Koninck was also an innkeeper and owned a ferry service operating between Amsterdam, Leiden, and Rotterdam.

Inspired by Rembrandt Philips Koninck is believed to have been a student of Rembrandt (1609-1669), although no conclusive evidence supports this theory. Whatever the case may be, Koninck was certainly inspired by Rembrandt, particularly in his juvenile works from the late 1630s.

The idealised Dutch panorama Unlike other Dutch landscape painters Koninck focused on one particular type of landscape: idealised Dutch panoramas inspired by the countryside of Gelderland.

Koninck as a mature artist The painting shown here is typical with its high viewpoint from a hilltop overlooking a flat landscape. It shows Koninck as a mature artist who has developed his own personal style through years of application. Here, he worked with an unusually sketch-like style and a large-scale format which in itself served to heighten the significance of the genre, from being modest cabinet pieces to something approaching the status of the great history paintings.

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