Francisco de Goya, 1811 - przekierowana pani Garcia - druk artystyczny

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The masterpiece was made by the Spanish artist Francisco de Goya in 1811. Oryginał został namalowany w rozmiarze 71 x 58 cm (27 15/16 x 22 13/16 cala) and was painted with the techinque of oil on canvas. Nowadays, this work of art is part of the digital art collection of National Gallery of Art in Waszyngton DC, Stany Zjednoczone Ameryki. Dzięki uprzejmości National Gallery of Art, Waszyngton (licencjonowany - domena publiczna).Dodatkowo dzieło posiada linię kredytową: . Poza tym zbieżność jest w toku portret format with an aspect ratio of 1 : 1.2, meaning that the length is 20% shorter than the width. The engraver, painter, etcher, printmaker, lithographer Francisco de Goya was a European artist, whose style was mainly Romanticism. The artist lived for 82 roku - urodzony w 1746 in Fuendetodos, Zaragoza province, Aragon, Spain and deceased in the year 1828 in Bordeaux, Nouvelle-Aquitaine, France.

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Do każdego wydruku dzieł sztuki oferujemy szereg różnych materiałów i rozmiarów. Oferujemy Państwu możliwość indywidualizacji w następujących rozmiarach i materiałach:

• Wydruk na płótnie: The printed canvas, which should not be confused with a canvas painting, is a digital image applied on a cotton canvas. It produces a plastic impression of three dimensionality. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without the support of extra wall-mounts. Canvas prints are suited for all types of walls.
• Nadruk na szkle akrylowym: An print on acrylic glass, which is often named as a an art print on plexiglass, changes your favorite artwork into beautiful décor. What is more, the acrylic fine art print forms a distinct alternative to canvas and aluminidum dibond fine art replicas. Your work of art is being custom-made with the help of state-of-the-art UV printing technology. This creates rich and sharp color hues.
• Drukowany plakat (materiał płócienny): The poster is a printed canvas with a slight surface finish, that reminds the original masterpiece. It is best suited for placing your art replica with a personal frame. Please keep in mind, that depending on the size of the poster print we add a white margin of around 2 - 6cm round about the painting, which facilitates the framing with a custom frame.
• Nadruk metalowy (dibond aluminiowy): Aluminium Dibond prints are metal prints with an impressive depth - for a modern impression and a non-reflective surface. The bright components of the artpiece shine with a silk gloss, however without glare.

Ważna uwaga: We try all that we can to describe our products in as much detail as we can and to showcase them visually on the different product detail pages. However, the pigments of the printed materials, as well as the printing might vary to a certain extent from the image on the monitor. Depending on your screen settings and the nature of the surface, colors can unfortunately not be printed one hundret percent realistically. Since our are printed and processed by hand, there may as well be slight deviations in the motif's size and exact position.

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Dodatkowy opis na stronie muzeum (© - Narodowa Galeria Sztuki - Narodowa Galeria Sztuki)

The years between Goya's appointment as first painter to the court of Charles IV and the Napoleonic invasion of 1808 were a time of great activity and financial security for the artist. He painted some of his finest portraits at that time, Señora Sabasa García and several others in the National Gallery's collection among them.

In contrast with his earlier work --#The Marquesa de Pontejos, for example -- Goya dispensed with the setting entirely and treated the costume much more impressionistically. Eliminating unessential details, he gave life to the figure with the greatest technical economy, his vibrant brushwork merely suggesting the gossamer qualities of the señora's mantilla rather than defining its details.

Señora Sabasa García was the niece of Evaristo Pérez de Castro, Spain's minister of foreign affairs, for whom Goya was painting an official portrait when, according to a perhaps legendary anecdote, the young woman appeared. The artist, struck by her beauty, stopped work and asked permission to paint her portrait. With images like this, spotlighting the restrained fire and beauty of the subject, Goya created the visual vocabulary that embodies the words "Spanish beauty," just as his earlier tapestry cartoons and genre paintings of popular pastimes distilled the essence of Spanish life.