Hans Holbein Młodszy, 1517 - Benedikt von Hertenstein (ur. ok. 1495, zm. 1522) - druk artystyczny

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To więcej niż 500 lat arcydzieło zostało namalowane przez zły artist Hans Holbein the Younger in 1517, 500 letni obraz ma wymiary: Ogółem 20 1/2 x 15 cali (52,4 x 38,1 cm); malowana powierzchnia 20 3/8 x 14 5/8 cala (51,4 x 37,1 cm). Oil and gold on paper, laid down on wood was applied by the European painter as the medium of the artpiece. What is more, the piece of art can be viewed in in the art collection of Miejskie Muzeum Sztuki, które jest jednym z największych i najlepszych muzeów sztuki na świecie, w którym znajduje się ponad dwa miliony dzieł sztuki obejmujących pięć tysięcy lat kultury światowej, od prehistorii do współczesności i ze wszystkich części globu. Dzięki uprzejmości: The Metropolitan Museum of Art, New York, Rogers Fund, aided by subscribers, 1906 (licencja domeny publicznej). : Rogers Fund, aided by subscribers, 1906. Co więcej, wyrównanie odbywa się w formacie pionowym w proporcji 1: 1.4, co implikuje długość jest o 29% krótsza od szerokości. The engraver, painter Hans Holbein the Younger was a European artist from Germany, whose style can mainly be classified as Northern Renaissance. The Northern Renaissance artist lived for a total of 46 roku, urodzony w r 1497 w Augsburgu w Bawarii w Niemczech i zmarł w roku 1543.

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What does the website of the The Metropolitan Museum of Art write about the 16th century artwork made by Hans Holbein the Younger? (© Copyright — The Metropolitan Museum of Art — Miejskie Muzeum Sztuki)

In 1517 Holbein decorated the house of the Lucerne magistrate Jacob von Hertenstein. Concurrently, he made this portrait of the magistrate's eldest son, Benedikt, who engages the viewer both with his direct glance and the inscription, which reads as if he is speaking: "When I looked like this I was twenty-two years old." Directly following these words is the declaration that "H.H." painted the work. The artist’s use of paper mounted on wood is unusual but not unique. He initiated the portrait as a drawing on paper and then continued working up in oil colors to its completion.