Hugo van der Goes, 1470 - Portret starca - druk artystyczny

Podsumowanie

Dzieło sztuki z XVII wieku, tzw Portret starca został namalowany przez renesans północny malarz Hugo van der Goesa, 550 letnie dzieło sztuki ma wymiary: Overall 8 3/4 x 6 1/2 in (22,2 x 16,5 cm). Oil on paper, laid down on wood was used by the European painter as the technique for the masterpiece. The artwork is part of the art collection of Miejskie Muzeum Sztuki. Dzieło należące do domeny publicznej zostało udostępnione dzięki uprzejmości The Metropolitan Museum of Art, New York, Purchase, 2009 Benefit Fund, Hester Diamond Gift, Victor Wilbour Memorial Fund, Mary Harriman Foundation and Friends of European Paintings Gifts, Alfred N. Punnett Endowment Fund, Marquand and Charles B. Curtis Funds, and University Place Foundation Gift, 2010. Linia kredytowa dzieła sztuki: Purchase, 2009 Benefit Fund, Hester Diamond Gift, Victor Wilbour Memorial Fund, Mary Harriman Foundation and Friends of European Paintings Gifts, Alfred N. Punnett Endowment Fund, Marquand and Charles B. Curtis Funds, and University Place Foundation Gift, 2010. The alignment is in portrait format with a ratio of 1 : 1.4, meaning that the length is 29% shorter than the width. Hugo van der Goes was a male Netherlandish painter, whose artistic style can mainly be attributed to Northern Renaissance. The painter was born in the year 1467 in Ghent, East Flanders, Flanders, Belgium and passed away at the age of 15 w roku 1482.

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Dodatkowy opis z Metropolitan Museum of Art (© - Metropolitan Museum of Art - www.metmuseum.org)

In this closely observed and sympathetic portrayal of an old man, special attention is given to how light models the subject’s wrinkled, time-worn face. This objective realism is characteristic of the paintings of Hugo van der Goes, especially those of the early 1470s. However, Hugo’s works do not include independent portraits, and additionally, the technique of oil on paper is relatively rare. The extremely tight cropping of the image, uniform brownish background, and absence of any projecting shadow from the head indicate that this portrait was made as a detailed preliminary study for inclusion in a larger painting.