Fernand Pelez, 1904 - Ugryzienie chleba mężczyzna pochylony do przodu, ręce w kieszeniach - druk artystyczny

Dzieło sztuki zostało stworzone przez artystę Fernanda Peleza. The painting had the size Height: 179,6 cm, Width: 70,3 cm. Olej, Płótno (materiał) was applied by the painter as the medium of the piece of art. Besides, this artpiece is part of the collection of Petit Palais - Musée des Beaux-Arts de la Ville de Paris. Dzięki uprzejmości: Paryski Petit Palais (licencja domeny publicznej).: . Poza tym wyrównanie reprodukcji cyfrowej jest w porządku portret format i ma stosunek 2 : 5, co oznacza, że długość jest o 60% krótsza od szerokości.

Original artwork description as provided by Petit Palais - Musée des Beaux-arts de la Ville de Paris (© Copyright - Petit Palais - Musée des Beaux-arts de la Ville de Paris - Petit Palais - Musée des Beaux-Arts de la Ville de Paris)

Man wearing a cap bent forward, hands in pockets

The Bite of bread is the only painting by Peel for the state on the occasion of an order from the Department of Fine Arts in 1881 on the theme "The Charitée. The implementation of this large composition (National Fund contemporary art) only start after 1900 and will be completed in 1908. Ten preparatory sketches are conserved Petit Palais. They are painted in a dark shades in the manner of ink wash. the characters are represented by group or individually, life size. urban poverty affects primarily a workforce unskilled, sick and injured workers, that economic crises leave unemployed and without resources. Given the backwardness of social reforms, Catholic organizations still occupy at the end of the nineteenth century a prominent place in charitable activity. Open street Cujas, the work of the bite of bread is named in reference to the last Supper of Jesus with the apostles.

About society, morals, rights, poverty - Misery

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