William Morris Hunt, 1857 - Portret Edwarda Wheelwrighta - druk artystyczny
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Additional specifications by Los Angeles County Museum of Art website (© Copyright — Los Angeles County Museum of Art — www.lacma.org)
Trained as a lawyer and artist, Edward Wheelwright (1824-1900) is known today for his writings on art. He was born into a prestigious Boston family and educated at the finest schools, including Harvard, where he was a classmate of Hunt. Well traveled and erudite, Wheelwright turned to painting, first studying art around 1850 in the Parisian atelier of Eugène Cicéri (1813-1890), a landscape painter. Five years later, inspired by Hunt, he returned to France and persuaded Millet to become his teacher. Their student-teacher association was quite formal, the only one of its kind to be made by an American with Millet. However, Wheelwright never seriously pursued the career of an artist. After his return to the United States, he turned his attention to other aspects of art, becoming a critic for the Atlantic Monthly in the late 1870s. He actively promoted the reputation of Millet in this country, through his article "Personal Recollections of Jean-Franqois Millee", of 1876 in the Atlantic Monthly and through his assisting the Boston Museum of Fine Arts in raising funds for the purchase of paintings by Millet. In June 1856 Wheelwright returned home after spending nine months in Barbizon. He joined Hunt at Newport, becoming part of the intimate circle of artists and writers around Hunt and his family. It was at this time that Hunt painted his portrait. With his return to the United States, Hunt entered the field of portraiture, and Wheelwright’s bust is an early example of Hunt’s extensive work in that genre. Some of his best portraits were created during his Newport years. Although he received numerous commissions, he often painted his friends. Hunt’s handling of the portrait reveals his French training, in particular the influence of Thomas Couture and Millet. The overall effect is one of softness, in contrast to the harsh clarity typical of mid-nineteenth-century American portraits. Hunt built up Wheelwright’s face with light and dark passages of color, including different shades of pinks, roses, and oranges, vigorously applied in small strokes over a warm underdrawing. The head is quite plastic, but its contour is blurred. The warm tonal palette of browns is carried through into the background, although less densely.
Podstawowe dane dotyczące oryginalnego dzieła sztuki
Nazwa dzieła sztuki: | "Portrait of Edward Wheelwright" |
Kategoryzacja dzieła sztuki: | malarstwo |
Szeroka kategoria: | sztuka współczesna |
Czas: | 19th wieku |
Rok: | 1857 |
Przybliżony wiek dzieł sztuki: | wokół 160 lat |
Muzeum / kolekcja: | Los Angeles County Museum of Art |
Miejsce muzeum: | Los Angeles, Kalifornia, Stany Zjednoczone Ameryki |
Strona internetowa Muzeum: | www.lacma.org |
Rodzaj licencji dzieła sztuki: | domena publiczna |
Dzięki uprzejmości: | Muzeum Sztuki Hrabstwa Los Angeles (www.lacma.org) |
O artyście
Nazwa artysty: | Polowanie na Williama Morrisa |
Znany również jako: | Hunt William Morris, Hunt W. M., wm morris hunt, William Morris Hunt |
Płeć: | zły |
Narodowość artysty: | amerykański |
Zawody artysty: | litograf, malarz, rzeźbiarz, rysownik, grafik |
Kraj pochodzenia: | United States |
Kategoria artysty: | współczesny artysta |
Style sztuki: | Romantyzm |
Długość życia: | 55 roku |
Urodzony w roku: | 1824 |
Miejsce urodzenia: | Brattleboro, hrabstwo Windham, Vermont, Stany Zjednoczone |
Zmarł w roku: | 1879 |
Zmarł w (miejsce): | New Hampshire, Stany Zjednoczone |
Produkt
Kategoryzacja artykułów: | reprodukcja dzieł sztuki |
Reprodukcja: | reprodukcja cyfrowa |
Technika produkcji: | Druk bezpośredni UV (druk cyfrowy) |
Pochodzenie produktu: | wyprodukowany w Niemczech |
Rodzaj zapasów: | produkcja na żądanie |
Przeznaczenie: | wystrój domu, wystrój ścian |
Orientacja grafiki: | formacie portretowym |
Stosunek boku: | 1 : 1.2 - (długość : szerokość) |
Interpretacja proporcji boków: | długość jest o 20% krótsza od szerokości |
Dostępne materiały produktu: | wydruk na metalu (dibond aluminium), wydruk plakatu (papier płócienny), wydruk na płótnie, wydruk na szkle akrylowym (z powłoką z prawdziwego szkła) |
Opcje obrazu na płótnie (płótno na blejtramie): | 50x60cm - 20x24", 100x120cm - 39x47" |
Opcje druku na szkle akrylowym (z powłoką z prawdziwego szkła): | 50x60cm - 20x24", 100x120cm - 39x47" |
Opcje druku plakatu (papier płócienny): | 50x60cm - 20x24", 100x120cm - 39x47" |
Warianty rozmiarów druku dibond aluminiowy (materiał aluminiowy): | 50x60cm - 20x24", 100x120cm - 39x47" |
Oprawa kopii artystycznej: | nie wliczone |
Uzyskaj żądany wariant materiału do druku artystycznego
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- Brezentowy: The canvas print is a printed canvas mounted on a wood stretcher. It creates a particular effect of three-dimensionality. Hanging a canvas print: Canvas prints are relatively low in weight, which means that it is quite simple to hang up the Canvas print without the support of extra wall-mounts. Therefore, canvas prints are suitable for all types of walls.
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Szczegóły przedmiotu
The more than 160 year old painting was painted by Polowanie na Williama Morrisa. Dziś to dzieło należy do cyfrowej kolekcji sztuki Los Angeles County Museum of Art in Los Angeles, Kalifornia, Stany Zjednoczone Ameryki. Dzięki uprzejmości Los Angeles County Museum of Art (www.lacma.org) (domena publiczna).Linia kredytowa dzieła sztuki to: . Co więcej, mamy do czynienia z wyrównaniem cyfrowej reprodukcji portret format i ma stosunek 1 : 1.2, co oznacza, że długość jest o 20% krótsza od szerokości. William Morris Hunt was a painter, sculptor, graphic artist, drawer, lithographer, whose style can primarily be classified as Romanticism. The North American artist was born in 1824 in Brattleboro, Windham county, Vermont, United States and passed away at the age of 55 in the year 1879.
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