Paulus Potter, 1648 - Krowy odbite w wodzie - druk artystyczny

To arcydzieło zostało namalowane przez zły holenderski malarz Paulusa Pottera in 1648. Oryginał został pomalowany rozmiarem: wysokość: 43,4 cm szerokość: 61,3 cm | wysokość: 17,1 szerokość: 24,1 cala i został namalowany techniką średniego oleju na desce. Signed and dated: Paulus. Potter / f. i648 is the artwork's inscription. Besides, the piece of art is part of the digital art collection of Mauritshuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of - Mauritshuis, Haga (licencja - domena publiczna). The creditline of the artpiece is the following: De Wolf Collection, Amsterdam; Govert van Slingelandt, The Hague, in or before 1752-1767; his widow, Agatha Huydecoper, 1767-1768; Van Slingelandt sale, The Hague, 18 May 1768 (Lugt 1683), no. 26; the entire collection sold to Prince William V; Prince William V, The Hague, 1768-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822. The alignment is krajobraz ze stosunkiem boków 1.4 : 1, co oznacza, że długość jest o 40% dłuższa niż szerokość. Paulus Potter was a male poet, painter, whose artistic style can be classified as Baroque. The Dutch artist was born in the year 1625 in Enkhuizen, North Holland, Netherlands and deceased at the age of 29 w 1654 w Amsterdamie, Holandia Północna, Holandia.

Additional artwork information by Mauritshuis website (© Copyright - Mauritshuis - Mauritshuis)

De Wolf Collection, Amsterdam; Govert van Slingelandt, The Hague, in or before 1752-1767; his widow, Agatha Huydecoper, 1767-1768; Van Slingelandt sale, The Hague, 18 May 1768 (Lugt 1683), no. 26; the entire collection sold to Prince William V; Prince William V, The Hague, 1768-1795; confiscated by the French, transferred to the Muséum Central des Arts/Musée Napoléon (Musée du Louvre), Paris, 1795-1815; Royal Picture Gallery, housed in the Prince William V Gallery, The Hague, 1816; transferred to the Mauritshuis, 1822

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• Wydruk na szkle akrylowym (z powłoką z prawdziwego szkła): The print on acrylic glass, often denoted as a print on plexiglass, will convert the original artwork into lovely décor and makes a great alternative to dibond or canvas art prints. Your favorite artwork is manufactured with state-of-the-art UV print technology. This has the image effect of rich and sharp colors.
• Nadruk metalowy (dibond aluminiowy): An Aluminium Dibond print is a print with an impressive depth effect. A direct Aluminium Dibond Print is the perfect start to art prints produced on aluminum. For our Direct Print On Aluminum Dibond, we print the selected work of art on the aluminium composite white-primed surface. This direct UV print on aluminium is the most popular entry-level product and is an extremely contemporary way to display art prints, as it puts all of the viewer’s attention on the artwork.
• Wydruk plakatu na materiale płóciennym: The poster is a UV printed flat canvas paper with a slight structure on the surface, that resembles the original masterpiece. A poster print is suited for putting your fine art print using a custom frame. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the print, which facilitates the framing with your custom frame.
• Brezentowy: The canvas print is a printed cotton canvas mounted on a wood frame. It has the typical effect of three-dimensionality. Hanging a canvas print: The great advantage of canvas prints is that they are relatively low in weight, which implies that it is easy to hang up your Canvas print without the use of additional wall-mounts. Canvas prints are suitable for any kind of wall.

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Ważna uwaga prawna: We try our best to depict the art products in as much detail as it is possible and to exhibit them visually on the different product detail pages. Still, the colors of the printed materials and the imprint might vary to a certain extent from the presentation on the device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed one hundret percent realistically. Given that all the art reproductions are processed and printed manually, there might as well be slight differences in the motif's exact position and the size.

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