Pedro Antonio Fresquis, 1800 - Matka Boża Bolesna (Matka Boża Bolesna) - druk artystyczny

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• Druk na szkle akrylowym: A glossy print on acrylic glass, often named a plexiglass print, makes your favorite original work of art into beautiful home decoration. The artwork is being printed thanks to the help of state-of-the-art UV direct printing technology. This has the image effect of impressive, rich colors. The real glass coating protects your selected fine art print against light and external influences for decades.
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• Nadruk aluminiowy (dibond aluminiowy): This is a metal print made on aluminium dibond material with an outstanding effect of depth - for a modern look and non-reflective surface structure. The Aluminium Dibond Print is the best start to prints on aluminum. For the Direct Aluminium Dibond print, we print the chosen artwork onto the aluminium surface. The bright parts of the original artwork shine with a silky gloss, however without glare.
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Ważna uwaga: We try whatever we can in order to depict the art products as accurately as possible and to showcase them visually in our shop. At the same time, the tone of the printed materials and the print result can differ marginally from the presentation on your device's monitor. Depending on the screen settings and the nature of the surface, colors may not be printed as exactly as the digital version on this website. Bearing in mind that the are processed and printed by hand, there may as well be slight variations in the size and exact position of the motif.

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Połączenia sztuka współczesna work of art with the title "Our Lady of Sorrows (Our Lady of Sorrows)" was made by the artist Pedro Antonio Fresquis in 1800. The original had the following dimensions Overall: 9 1/2 x 6 7/8 in (24,1 x 17,5 cm). Farba na bazie wody na panelu drewnianym was applied by the artist as the medium of the masterpiece. What is more, this artwork forms part of the Barnes Foundation's digital collection. We are glad to state that the domena publiczna artpiece is supplied with courtesy of Courtesy of the Barnes Foundation, Merion and Philadelphia, Pennsylvania.The creditline of the artwork is the following: . On top of that, alignment of the digital reproduction is portrait and has a side ratio of 1: 1.4, Co oznacza, że długość jest o 29% krótsza od szerokości.

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